Octave Shift
October 24th, 2013 by thesuper

Another option, which brings us into the sphere of sound production, it is panning (PAN). Range – from -64 to 63. You have the ability to create a stereo effect. Very bright, he heard at a dilution fundamental tone (TONE), and a voiceover (LAYER) in different directions imaginary scene. You've got to remember, mark 00 – this is the central position of the left and right channels. Reduction of digital values moves to the left and increase shifts to the right.

You seem a great opportunity to "sit down" your virtual musicians so that the timbres of each instrument sounded from different, the locations of places. For example, channels pattern – from 6 th to 10th can be separated from the zero point in different directions: the second channel – (-64), 7th – (-30), 8th – (00), 9th – (+30), 10th – (+63). Thus, the accompaniment will acquire greater amounts. Many probably already faced such a function as an octave shift (Octave Shift). Range: -2 to +2. Most often it is used in combination of the ground and a voiceover.

Using this feature, you can get latitude and surround sound of voices or stressed humorous tone depending on the nature of the work and your plan. But we must not forget that may sound interesting, and modified using this option accompaniment. For example, if a melody sounds the middle register, the harmonic pedal configuration or party brought into the upper register, it will not "interfere", and the texture will become more transparent and clear. Such work is rather tedious and time consuming, but the effect is remarkable. Many students, having tried once to work on changing the specified pattern, then bring some very interesting options for recycled auto accompaniment. Say a few words about the remaining two mixer functions. The first – a rough tuning pitch selected channel (C. Tune). Raise or lower the pitch of each channel into 24 semitones. Second – fine tuning the height of the selected channel (Fine Tune). His range: from -99 to +99, step measured in cents – 1 / 100 semitone. The first of these parameters can, for example, can easily overcome the difficulties associated with the execution of fast passages in double notes, and using a second – to create a realistic sound hurdy-gurdy, "upsetting" accompanying voices. People just began playing on a synthesizer, creating arrangements, as a rule, a sense of joyous euphoria of available electronic instrument opportunities. But time passes, and a desire to change something, alter, add, create your new. Here and need to call the function mixer. Use it simply as the work of the leading voices, and from outside the of the accompaniment. And I'm sure that this work will bring you much pleasure. Try it, go for it! Elena Liskina head. Division of emi Music School 2, Podolsk

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