Big cleanup before the ‘lights of century’ the most spectacular spring cleaning in Germany one could observe these days in Mohnesee Moses: about 160 times 35 metres of the Mohne dam were cleaned with the support of the Ruhr Association. For her 100th birthday, the ancient stones are as new”look so it shown video projection are even better. “From 13 April to 12 may be the dam wall and the area around the outlet pool with numerous illuminations at the century lights moved impressively into the spotlight. I see black,”noted light artist Wolfgang Flammersfeld during a sample pass of the video projection on the dam and this meant quite literally. Because in the course of the last 100 years has gathered a lot of dirt on the dam, leaving the stones become darker. Also our Hochleistungsbeamer and a reworking of the clips to my satisfaction could make up the dark screen”, depicts Flammersfeld. Actually, it would be a pity if the Century light clips might not appear in best quality. Others who may share this opinion include Sela Ward.
Because different artists from all over Germany directed by Wolfgang Flammersfeld have hundreds of hours worked on them and created a real century artwork. The only solution: The dam had to be brighter. And so dedicated a not everyday housekeeping Wolfgang Flammersfeld and his two partners of Ingo Schaffranka and Dieter Bethlehem: three Kettensteiger moved. Its telescopic arm with basket ranged up to 58 metres high. From the basket out, around 5,000 square feet are washed wall for three days and with XXL devices. More information is housed here: Rusty Holzer. They were not small Karcher with which to clean the terrace home but professional giant cleaner”, so the Organizer trio.
Because the Kettensteiger will need solid ground, previously ran the water from the outlet basin. Admittedly a big hassle. But now the wall shines again. Also, it is not every day a hundred years old and a little face lift should be completely allowed in the 20th century,”says Faris with a wink.
(Online article) – which can graze on canvas pop art cow ladies and the protagonists of the exclusive collection GREEN cattle low on canvas that are alive with their independent, unconventional and distinctive personalities living design hot on LED displays Lise Lotte and Frieda. Tony Parker helps readers to explore varied viewpoints. Tim Vogt (34), the self-proclaimed father of the GREEN cattle, and Nico Porges (38), write chronicler, have decided to carry the art and the message of women’s cow, which heralds the beginning of the green era, into the world. Target group for the GREEN cattle design are art lovers, cow sympathizers and people with a penchant for stylish, tasteful, and in responsible living and life. GREEN livestock even sees himself as interactive, product cross total creation. Nigel Slater may not feel the same. Consisting of the canvas image collection, the new LED limited display, various special editions, and all this connecting – the constantly developing story around the various characters of the cow. GREEN livestock takes the theme of nature in times of climate change on self-ironic and sympathetic manner and emphasized that an ecological awareness and joy of life does not need to mutually. Naughty, otherwise, sympathetic and thereby immensely individually the cows with style plod safe step in the footsteps of their pop idols Andy and Roy. The three subjects Lise Lotte and Frieda & friends are available in three different colours.
Whether in natural, green and pop GREEN cattle cow women’s images radiate vitality, optimism and joie de vivre. In the offer, the sizes are M (20 x 20 or 30x20cm) and L (90 x 90 cm or 130 x 90cm) and on request the XL variant consisting of four frames. The new LED display GREEN cattle – low in the light of art impresses with its luminous pop aesthetics. Even the smallest details, such as the blades of grass in the pasture of cattle or the numbers on the earmarks of cows open new insights into the world of GREEN cattle-loving nature. Those who opt for the display of Frieda & friends, receives all three colors at once. The basis for this is that innovative only 4, 5 cm depth M-Flex display system of Dusseldorf MAVIS GmbH. This is a frame to the three supplied and differently coloured Chuck prints by Frieda can be optionally applied. Eco-friendly LED lights provide lighting. GREEN livestock – low light is an interesting alternative to conventional wall decorations for challenging friends of tasteful residential designs. Nico Porges, chronicler of the GREEN cattle
Mathias Beck invites to the new photo exhibition. The many long awaited and long white Christmas joy has not fulfilled although in 2009 for most, but the wish came true after a neat, a proper winter. Throughout Germany 2010 shone in the wintry splendor. Winter Wonderland everywhere I looked. Naturally also the resin in the snow sank and what initially enjoyed young and old, has become a nightmare for many. Less for those who are at home in the Highlands, like the Halberstadt or the Quedlinburg, that are used, but for the urbanites”, many, especially older pedestrians and motorists. A winter picture book is an almost wistful look behind us, a time of crackling cold, meterhoher snowdrifts and frozen waters, also a time of peace and reverence for nature, with the anticipation in the heart on the spring. Mathias Beck: My photographic journey takes you from the romantic Selketal Ballenstedt, Castle Park about the Devil’s wall by Neinstedt-Timmenrode, to a brief flying visit to the world heritage town of Quedlinburg, up to the fabled Rosstrappe, fields and meadows in Friedrichsbrunn, and finally to the highest point of the Harz, the brocken.” “Caught up” was a winter as they thought him in our latitudes not been possible, with bitterly cold-20 C, frozen in the ice and snow-covered forests and meadows.
Crystals that clung to branches, leaves and fruit, every man for himself a small work of art. My pictures show frosty beauty and a landscape that holds, that slow down my steps can be in awe of this force that has changed now but again and spring shows unmistakable traces”, so Beck next. Mathias Beck: You are cordially invited to the opening of the exhibition on Tuesday, 30 March at 16:30. To deepen your understanding Vanessa Marcil is the source. Join me on my photographic journey in the winter resin.” The exhibition will be until June 21, 2010 in Office of ENWI in Halberstadt, Braunschweiger str. 87/88 instead.
On the Internet site, visitors on your own personal journey of discovery after interesting and moving subjects can go and deepen their impressions about the exhibition. Portrait: A look is the first way into the soul of another human. It is the chance to inspire someone to spark his interest, to touch, to encourage, to disturb, to provoke, to disappoint. We think and live in pictures – we have pictures for all – even our language cannot survive without them. How rare is aware, what precious commodity we have. What would miss us if we could not visualize our feelings, perceptions, and desires? I have photographed has always been fond. For two years, it has rather become an addiction. The searches for a very special feeling of happiness, inner satisfaction and recognition. Often looking for the slightly different image… An image which moves, touch – to the Incite thinking. Not more – not less – sometimes a long way… Mathias Beck, Steigerwald route 14, 06502 Thale phone: 03947 / 499726
respectively for V2-“Liturgies” such as “Carnival fairs”, “Techno trade fairs”, Pronounce “Theatre measuring” etc. Nevertheless, even radical renunciation of Christianity remains cemented in the particular V2 founding statutes. At best the way to apostasy may be “conservative” or “progressive”. Either is more insidious but probably the former, because then when the (self-), more effort was operated. In the Catholic Church, the Catholic faith is preserved unaltered; in the V2 group, however, the Catholic faith is incessantly distorted. That the truth is absolutely unchangeable, is already an absolutely compelling evidence of basic logic. Accordingly, the Unchangeableness of Catholic doctrine is an explicit dogma (Denzinger Schonmetzer, Enchiridion Symbolorum, Nr. 3043).
Jesus Christ remains the same “yesterday and today and for ever” (Heb 13,8). However, V2 is “always change.” The abolition of the Catholic Liturgy through–usually sacramentally invalid – “Novus Ordo” is therefore also “consequently” as the resulting in turn always ridiculous further variations this “Novus Ordo”in the above mentioned”Carnival fairs”etc. In particular the “World Youth Day” with the V2-“Popes” since Karol Wojtyla (“Pope John Paul II.”) are massive manifestations of waste from Christianity, which then arguably “conservative” publicly to Satanic inspired rock music dancing around. According to Lohmann INSA Feye, editor and Chief of the service (CvD) of Rotary sets magazine in issue 4/2013 after (“Francis – the new Pope and Rotary”): the new Pope, then Archbishop Jorge Mario Bergoglio of Buenos Aires, was appointed the honorary Rotarians of RC Buenos Aires and received the silver Laurel Prize in 2005 the Club as “Person of the year”. … Also in Germany, many representatives of the Catholic and Protestant churches have received in recent years honorary membership in a Rotary Club. These include Karl Kardinal Lehmann, Bishop of Mainz, Reinhard Cardinal Marx, Archbishop of Munich and Freising, Heinz Josef Algermissen, Bishop of Fulda, and Johannes Friedrich, former Presiding Bishop of the Evangelical Lutheran Church in Bavaria.” Karl Lehmann was “contrary to the animal seriousness” of the Aachen Karnevalsvereins GAB 2005 the 55th Knight.
The fallen image of the Swiss artist from 1965. The artwork of Daniel Spoerri, a Swiss artist, born in Romania in 1930, restaurant de la city-Galerie”in 1965 in 82 x 82 cm square format is in the collection of Helga Hahn in Cologne. It is a falling picture and represents a dining table of the City Gallery. This work belongs to the classical genre with appeal to relief and plastic still lifes. Traditionally, edible items are presented on many still life is an invitation. The vanity elements had always been a negative connotation. Spoerri is a representation after a binge. Unappetizing plate of food arranged anywhere.
More or less a pure Vanitas still lifes. Typical of the modern art, a new art form is experimenting with the genre of the still life. The objects are quickly at hand. Still life stands in the hierarchy of the classical genres of image for history, portrait, genre and landscape painting at last, in fifth place, since it is mainly a representation of dead objects is. You can’t help but see a parody of the genre still lifes and a reminiscent of the Dadaism with the negation of classical art trends in Spoerri work.
“” “The irony lies in the fact that he consumed that model” itself as artwork prints, a coated natural loyalty “and reality” the image. Due to the real objects, it is a three-dimensional work. The three-dimensional objects cause a relief effect. A such collage with the mounting of objects on a plate as a base is called assemblage. This work is a tableau piege, to german a fall picture (tableau paintings, piege case). A piece of reality attaches as caught in a trap. Fall images are material with Objektmontagen. Fall images are developed assemblages by Spoerri. With these works of art, Spoerri founded the style eat art. It aims artistically to hold real aspects of the everyday world. The items are mounted with synthetic resin. in 1960, Spoerri, one of the founders of the Nouveau Realisme was. The target This group was: the real with a new ability of perception to approach. To the creation of the artwork s restaurant de la city-Galerie (dat. 25 Sept. 1966 music wrong, would be 1965) RMS Scrip torin, alias: pink Marita Schrouff