Over 200 stories and novels span all popular genres such as detective, Western, adventure, fantasy, science fiction and romance novels about 200 stories and novels span all popular genres such as detective, Western, adventure, fantasy, science fiction and what is generally overlooked romance novels”, L. Ron Hubbard once remarked, is the fact that my writing financed research.” And although he is better known for what finally came out this research about the human mind, his novels and stories but never forgotten. “After he had published between 1929 and 1941 full 15 million words, the name L. Ron Hubbard during the 1930s was literally a synonym for popular fiction or how it the friend and Frederik Pohl colleague of the writer expressed: in the moment in which appeared Ron’s stories on the newsstand, they were part of the cultural heritage of each fans.” More than 200 stories and novels span all popular genres: Detective, Western, adventure, fantasy, science fiction and romance novels. This cultural heritage was indeed rich. Learn more at this site: Margaret Loesser Robinson.
L. Ron Hubbard’s primary market was reasonably during this years pulps (entertainment literature). These pulps which are named after the pulpwood, on which they were printed, were the most popular literary publications of the time. Actually their influence with about 30 million regular readers was quite unique, a quarter of the American population until television came. But when the pulps in the first place were a popular instrument, they were not without literary value. Among other things, writers began their careers in magazines such as Argosy, astounding science fiction, Black Mask, and five novels monthly. Among them were people like Raymond Chandler, Dashiell Hammett, Edgar Rice Burroughs and Robert Heinlein, which became well-known writers..
In the philosophy, Passion is appraised as something that we desire and we cannot possess, exists a setting that if of the one through the proximity physical, next the impossibility to the accomplishment of this desire. If something can be said on the ideas of the Scrates philosopher master and inspirer of Plato, is that it was morally, intellectually and philosophical different of its Athenian contemporaries. When he was being judged for heresy and for corrupting youth, it used its method of elenchos to demonstrate the errneas beliefs of its judges, it believed that the ideas belonged to a world that the scholars only obtained to understand, making with that the philosopher if became the perfect governor for a State. For Scrates, the love starts with the passion for an attractive body and finishes in the love for the absolute beauty. Without discarding the dose of disequilibrium that the passion causes the mind of the being that desires another being, the point of more not enjoying of the pleasures of the life if it will not be under condition of adorador, loving or enslaved. This feeling is thought as not only harmful to the human character, but as a necessary stimulaton here so that it has courage in the men, so that the constant yearning for conquests lasts. Scrates affirms that the philosophy comes of inside to is and its function is to awake the knowledge, that is, the auto one – knowledge, therefore, the truth is inside of each one.
To know itself exactly she is necessary to know the other. The soul of the other is as if it was the mirror of the proper soul, an impetuous movement for the good or the evil. The pathos are one of the recurrent subjects in the lyric poetry of the Antiquity. Perhaps has been the poet Disembarasses a woman aristocrat born in the island of Lesbos, who obtained to create one of the most beautiful representations of this feeling for the Greek world: It is enough to see you to me and are dumb my lips, act it my language, a subtle fire runs under my skin, everything becomes gloomy before my look, zunem me the ears, drains for me the sweat, acometem me tremuras and I am paler than the straw: it would be said that I am deceased.
The Macunama romance could critically be summarized of many forms, but this work has according to approach it vision of the proper author who, in addressed letter to Sousa professor of the Silveira, it mentions itself as, ' ' A poem comic hero, caoando of the being psychological Brazilian, settled in one figure of legend, the mstica way them traditional poems. The fantastic Real and the casting ones in a plan. The casting symbol, satire and the free fancy. Absence 7 of regionalism for the fusing of the regional characteristics. Brazil alone, and one only. (LOPEZ, 1974, P.8) a text in which if they find congregated some elements constituent as problems to be boarded, the satire, the symbol, the nationalism and the regionalism. a problem if raises ahead then of the registration of the satire as; according to Tel (LOPEZ 1974, P. 8), ' ' Problems of the estruturao of the workmanship' '.
what, pparently, it seems to place Macunama, breaking itself of the agreement of this term, as something that, second (HUTHEON 1985, P. 74); ' ' uses, frequently, the parody as I propagate to ridicularizar the vices or madnesses of the humanity, in view of its correction' ' it is configured in the desire to materialize the Brazilian character as a to be restored model. It occurs that such desire, in case that proven, would also go against all the theoretical recital of the movement of the week of the modern art and against the proper author, Mrio de Andrade. What, according to transcription of the stretch of a letter: But the truth is that I failed, if the book is all it a satire, a Rebelled conformismo on what it is, what I feel and see that is for the Brazilian people, the Aspect? enjoyed? it prevailed. It is certain that I failed. Because it does not satisfy me to botar the guilt in the Brazilians, the guilt has of being mine, because who wrote the book was I.
Children's poet, an honorary citizen of Temnikov, wwii veteran, a veteran teacher labor Fedor Nikolaevich Bobylev, was born June 20, 1912 in Temnikov. On the works of fn Bobylev grew more than one generation of young temnikovtsev. Someone remembers the Rainbow-arc, and someone "Bear-idler" They are more hundreds – of small instructive poems and stories, fun, funny, lyrical, about work and friendship, pets and nature. Artworks fn Bobylev's the first thing published in a local newspaper, has repeatedly been published in national and national newspapers and magazines. Collected in the books, they are published in large editions in Mordovia and beyond limits. Inconspicuous-looking collections without the usual gloss for the kids present – valuable content.
At the close of preschool children and toddlers have to disclose the theme of good and moral education, served examples of honor, conscience and dignity – the main human values. Poems by Fyodor Nikolayevich in his time were set to music. Back in the 60's in Moscow published collections of songs for children were included once popular songs on poems of the poet. The songs were recorded for radio and broadcast. The famous Soviet composer, ll Kogan, author of major musical works, pop songs and songs for children, recalling the work on the cycle of children's Songs on poems by fn Bobylev, argued that " he was personally very close to it (VF Bobylev) creativity." Writing poetry F.N Bobylev began during his school years, and his first experience was approved by the rural village school teacher Tretyakovo – small motherland on this one, where he studied for the first through fourth grade.
