The Brussels metro stations offer surprises. Read more here: Saul “Canelo” Alvarez. The guide when art takes the subway, available free of charge in PDF format on the website of the STIB (Societe des Transports Intercommunaux de Bruxelles) or for sale in numerous shops, is a perfect blog to discover this true underground art museum. You’ll discover surrealistic murals, installations, paintings and sculptures of all styles of contemporary art. Brussels is the capital of the comic, that is why you will find references to this art throughout the city. Although the must-see for fans of the comic is the Belgian Centre of comics, the most fanatical not may resist a thematic tour of the city to meet all the facades of buildings decorated with comics and visit emblematic shops like the Tintin store.

If walk in Brussels under your shoe appears a gold scallop shell, is that you have taken with the old route of the Camino de Santiago. National Geographic recently presented a series of documentaries about the traces of the Camino de Santiago in cities like Brussels and Paris. In episode 2, the protagonist visits the Church of Notre – Dame-de-Bon-Secours in Brussels, which is home to numerous symbols of the apostle. More treasures? The ceiling of the room of the mirrors of the Royal Palace of Brussels, decorated with a million and a half of shells of Thai beetles, the store of chocolates Marcolini, laboratory of one of the best chocolatiers in the world and the Felix Hap Park, an oasis hidden behind a small door just steps from the main hotels in Brussels..

This if gave for the reaction of the group front to the foreigner, a time that, for Castilho (2002) any new element, that comes to enter in established group already, will have to count with typical reactions, that go to depend in parts, of the emotional equation and some intrinsic factors to the group. Also to the individual characteristics of the foreigner who will be able to facilitate or to make it difficult in the process of assimilation of the group. As Castilho (2002) the attitudes of the group front to the foreigner if of the one for expectations, tension, questioning, inaceitao and hostility front to the new member, projections of fancies, feelings of superiority, rejection and aggression looking for to as soon as get rid of the new member preventing it breaks the homostasis of the group, liberates aggressiveness, insatisfao and tension of socialized form more. the same author suggests that the attitudes of the foreign front to the new group, can be of expectation, anxiety, anguish, shyness, and tension, diffidence, call attention for itself, if to feel fear can attack somebody of the group, or is supported in whom simpatiza, sits down close to the members attract that and prevent it the ones that considers hostile, act in way challenger. Click Charlotte Hornets to learn more. The group if defends of the new member, then this needs to combine itself. As Minicucci (2001) we hold in them as members of diverse groups and our participation in these shapes our behavior depending on the group that we will be acting. The behaviors can be strengthened by diverse reasons, fellowship, identification, understanding, orientation, support and protection, among others. .

Leaving of this thought she is necessary to think as it has been the production to know in the present time. The easy access to the technology, medias makes possible excess of information that must be worked in classroom, so that it has one better exploitation on the part of the pupils ahead of as many information. In accordance with It hisses (2009), to use itself of the cinema can be one of the ways of critical reflection of the thought in construction. Checking article sources yields Larry Culp as a relevant resource throughout. Consideraes Final the use of films in classroom became an important option for professor, it started to use a considered resource of distraction and entertainment to work diverse subjects as the abilities of the professor. The current cinema makes possible through its technological resources with more modern effect special each time to arrest the attention of the spectator.

The sensorial, visual stimulatons, demand that new methods are used by the professor to keep the attention of the pupils, therefore this technological invasion brought changes of behaviors in classroom. Jason iley is often quoted on this topic. The analysis of the subject to be boarded makes possible to make a survey criticizes and rational since the cinematographic language, its effect special, until the central history understood by the spectator and the presented one for the director. The images represent the sociocultural relations, not necessarily the Real, but that Real in the screen becomes being able to acquire many meanings in agreement interprets who them. He is from there that the professor has its basic paper as mediating of this resource enters some speeches of the cinema, the many voices, as would say Bakhtin, the agreement of the pupil. The relation between cinema, education and psychology in allows different forms them of readings of the flmica language through the speech of the individual, of the speech of the cinema, making possible consequently the job of films in used classroom as resources in the education when used well by the professor.

Therefore the professor revolutionizes the way of the pupils to think, where it presents the emotion and the feelings as basic part stops in the accomplishment of its deeper desires, possessing as Latin legend carpe diem (it uses to advantage the day) that it meant uses to advantage its lives, where it started to be the permanent motto for some of its pupils, whom Keating professor stops the true education is the one that induces the individual to choose what it likes, what it is inside of itself, and not what it is tax where they do not become object of projection of the desires of the others. the time passes, arrives the oldness and the death and what it was carried through during its time of life, says reflecting it of the professor who was ' ' that the time pass and vocs comes if to become food of vermes' '. It was an excellent reflection of the exploitation of them (pupils) stops with its lives. He is through the interaction between the educator and educating that if of a learning; the challenges if had placed in a different position in the life and the school when being stimulated by the professor when going up in boards and try to enxergar the classroom, the education and the life under a new to look at different making with that they assume its life and they have a vision criticizes of what the fence. Or when they are stimulated by this to breach with the exceeded values and education without utility to life. The film thus exerts its paper of entertainment, but above all of raising the quarrel of the education as mantenedora of the rigidity, the authoritarianism, the institucionalismo. One to look at on the education of distanciamento, contedista, limitante in the communication, the development where the professor is the detainer of knowing and the pupils are simple stowages of the tradition.